From a seemingly insignificant story, insinuating, he speaks Kit of the ungraspable in his film Scenes versus the sea. From the title, the director decides to stand in front of the inaccessible and observe it, not with a comprehensive look that can be reduced to a set of images, but looking for its sinuosities, the waves that appear in everything, for the alterations that disturb the uniformity of the set. find the distinctive references that allow the eye to discern what it is to know about the totality
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