According to some historians, Ranup Lampuan Dance has undergone several phases and processes so as it is today. New, this is only played by some female dancers with musical accompaniment. By the year 1959 the dance was innovated by including 3 male dancers in it.
Soon, when in 1966 the dance was then modified back to its original procedure. This is done in accordance with the advice of the elders of adat, that is by displaying the female dancers only. Disampimg it, aspect of its long duration then abbreviated so that more suitable and no time guests who have a solid flying hours.
Finally, in 1972 this dance changes again especially in the music. Music musings of traditional music music such as; Rampa'i, Serune Kale, Gendrang, and other tools so that the nuances to the Acehan more felt. After experiencing the change, the existence of Ranup Lampuan Dance continues and played as it is now.
Ranup Lampuan dance currently serves as a dance of honorable guest greeters or the opening of Acehnese customs. Like the philosophy of his name, this dance is often identical with the betel and puan which in the custom of Acehnese society has a special meaning in it. For the people of Aceh, sirih and puan are symbols of fraternal community. If the guest offered betel, and accept the offer, then it marked the guest is well received and preferred siblings with the people of Aceh
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