In this film, Gru (Steve Carell) stuck dilemma, survived as his new self or re-bears the status of a supervillain. We also see a cunning expression and hear his evil laughter again. And on one occasion, he deceived his twin brother, Dru (also voiced by Steve Carell) in order to achieve personal goals even though this goal is actually useful to the world. This is what Gru the audience likes to like. Moreover, it is also a characterization that has always been established a franchise, which is a figure with moral ambiguity, at least for the size of the animation of all ages. The movie itself is the best since the initial instalment (including Minions), This time Gru with his wife, Lucy (Kristen Wiig) as Anti-Villain League agent (AVL) deal with Balthazar Bratt (Trey Parker) who want to steal the largest diamond in the world. Bratt is a famous former star. But after his television series was cancelled due to the loss of the audience after stepping on puberty (think Macaulay Culkin is now playing at Home Alone), Bratt starts to believe that he is the role character in the series, deciding to become a real super villain. The characterization above the parody of a drowning actor is too remote in a playable character and / or a childless actor who is running out of glory as he grows up.
Big in the 80's, fair when Bratt decorated the knick-knacks of the era and the typical children. Costume with shoulder pad, mullet hairstyle, yo-yo-shaped weapon and chewing gum, Rubik headquarters, to the most influential for the film, the penchant for turning the 80's music. Rows of numbers such as Bad Jackson's Michael to Take-a-ha's take on Me occasionally add to the excitement of the adventure that unfortunately, though by duets director Pierre Coffin and Kyle Balda are consistently driven at lightning speed, failing to match the creativity of luring his first act. Gru and Lucy with sophisticated vehicles like the futuristic version of James Bond against a variety of unique weapons in the form of toys belonging to the Bratt so that the recurring failures, even by the climax of the giant robot.
The basis of the story still retains the family theme stretch, though now the brotherhood of Gru and Dru reduces the father-son portion. Lucy had learned to be a mother figure for the Margo-Edith-Agnes trio, but only a superficial insert rather than a whole process as Gru learned to be a father in the first film. But Coffin and Balda always work on each family moment with high sensitivity, including enough affection to produce warmth. Mel Minion's moment scene that provoked his colleagues to encourage Gru back to do evil considering the times with Gru presented sweet like a beautiful memory of father and son, Another case with the comedy portion. Despicable Me 3 strives to joke at every opportunity. Nearly five minutes of humour is poured out. There was a scene when Gru and Dru loudly laughed at their own jokes while Lucy and her three daughters fell silent, either confused about how to respond or completely ignore. A suitable situation depicts the film comedy effort. Also duplicated is the cuteness side. As if the existence of Minions and Agnes is not enough, animals like goats are also pigs so targeted, designed as adorable as possible. At least this point stole more hearts than humour.
Despicable Me 3 returns the role of Minions as a supporter who has not even done a single significant thing. The right decision, because long ago, each appearance of this yellow creature takes a few minutes duration for the presence of a random comical situation that can actually be devoted to strengthening the flow. So here too, although admitted Minions controlling the prison is one of the most interesting moments even the funniest in this movie. Closed by the ending that opens up sequel opportunities, Despicable Me 3 at least brings the main character back to its proper position. This movie makes Gru cool and interesting again.
RATING (6/10)
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