Are we heading towards the natural 1:10/1:15 G/S ratio? I'm wondering how far it will overshoot to the opposite side.
I can see you are watching Mike Maloney's work - I am a big fan of him and following your work as well. For me it was a moment of synchronicity when I've watched his last video - the part regarding GAPS.
I admire your charting skills. I would like to learn it and I also would like to capitalize on this knowledge.
Please keep going - your work inspires me!
Thank you.
That's really kind, ty. Gaps are so crucial to identifying the acoustical signature of the instrument itself. Never foolproof, but an awareness of gaps is essential. Here's an example where people could have made a nice chunk of cash based upon gap theory.
SNAP
Thanks Maestro!