While I'm on the wave of street photography, I decided to make the most of it. Well, that is, as soon as there is an opportunity to go outside and shoot, I go and do it.
As long-term practice shows, if the frames is not in high demand right now and is "on the table," then it will work later.
It can also be difficult to evaluate your pictures by looking at them from someone else's perspective.
To do this, you need to switch to some other state.
For example, when I drink beer, a slight intoxication allows me to step away from my photos and look at them differently.
I do not urge you to repeat after me, but if you have been drinking, then take some time and look at your own work. They'll start playing in a new way. Maybe not all of them.
Of course, the best indicator of the interest of your pictures will be the feedback when publishing.
Or there is a stronger demand: requests for printing in books or showing at exhibitions.
By the way, I've only photographed drunk a couple of times in my entire photo life, and it wasn't the best experience.
For me, the perception of reality should be as clear and sober as possible, so that later this code is written into the picture.
The state of altered consciousness in my case simply disconnects me from all creative waves. I stop feeling the world around me.
And if I don't feel anything, then how can I take pictures?
There must be some emotion from what he saw!
Especially when traveling, where I mostly get fed up with the place rather than taking pictures.
Street photography is about legs. Stock up on comfortable shoes!
These are the shoes that don't steal your attention.