Today I bring you the first part of my train series. A theme I like to explore in the analog process.
My alarm went off, I haven't posted in this community for 19 days and I don't like to be absent. The fact is that this month 11 has been intense with personal work, so there's little time left to maintain the assiduity I want here.
Not least because, for me, publishing in this community requires a ritual that requires extra time and care. I'll share with you the steps I took to make this publication, under “Technical Specifications”.
Translated with DeepL.com (free version)
LINGUA PORTUGUESA
PT/BR
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Trip Train - Part um
Hoje trago a primeira parte da minha série de comboios. Um tema que gosto de explorar no processo analógico.
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O meu alarme disparou, há 19 dias que não publico nesta comunidade e não gosto de ficar ausente. Acontece que este mês 11 está a ser intenso com trabalho pessoal, resta pouco tempo para manter aqui a assiduidade que pretendo.
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Até porque, para mim, publicar nesta comunidade requer um ritual que necessita de tempo e cuidados suplementares. Vou partilhar convosco os passos que dei para fazer esta publicação:
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1-Revelação da película: processo químico.
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2-Digitalização da película: transformação de processos, do analógico para o digital.
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3- Pós-produção:
Edição com o Tonality, um software específico para preto e branco que tem a curiosidade, e funcionalidade, de simular as películas analógicas. É aqui que faço todo o trabalho de edição a preto e branco.
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Este programa tem diversos presets que simulam as diferentes películas existentes. Quando optamos o preset correcto ao filme que utilizamos, os resultados são surpreendentes.
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Se precisar de re-enquadrar, cortar, limpar, vou às apps da ADOBE (Photoshop e Lightroom), onde faço a montagem nas molduras.
TECHNICAL SPECIFICATIONS
Steps
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1-Developing the film: chemical process.
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2-Digitization of the film: transformation of processes, from analogue to digital.
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3-Post-production:
Editing with Tonality, a specific black and white software that has the curiosity, and functionality, of simulating analog film (emulation). This is where I do all the editing B&W work.
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This program has several presets that simulate the different existing films. When you choose the right preset for the film you're using, the results are amazing.
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If I need to re-frame, crop, clean up, I go to the ADOBE apps (Photoshop and Lightroom), where I assemble the frames.
PHOTOS WITHOUT FRAMES
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thank you for posting to the most Artistic community, its how it was looks when around 20 published here less or more permanently.
i love this series ot trains.
interesting how you finish the digitization of your developed films.
i never heard about Tonality software.
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Forte abraço!
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