All Through the House (S03E08)
Airdate: 16 December 1994
Written by: Henry Brommel
Directed by: Peter Medak
Running Time: 48 minutes
In the landscape of American television broadcast television, shows have traditionally been structured around seasonal formats. This seasonal nature is often reflected in the content, leading to the inevitable inclusion of themed episodes, such as those centred around holidays. For series that aim to maintain a long-term presence on air, the inclusion of a Christmas episode becomes almost obligatory. This trend persists even among programmes that are otherwise characterised by their gritty realism and hard-hitting narratives, such as Homicide: Life on the Street. The series, known for its unflinching portrayal of urban crime and the lives of detectives in Baltimore, nonetheless embraced the holiday spirit in its Christmas-themed episode All Through the House, which aired during its third season on December 16, 1994.
Set during Christmas Eve, All Through the Hous" presents a stark contrast between the festive atmosphere outside and the grim realities faced by the detectives of the Homicide Unit as they work through their graveyard shift. Many of these characters exhibit visible discontent at being unable to partake in holiday celebrations like ordinary civilians. Their dissatisfaction serves as a poignant reminder of the sacrifices made by those in law enforcement, who often find themselves isolated from family and friends during significant occasions.
The plot provides a grim reminder that violence does not cease for the holidays; murders still occur even on Christmas Eve. Detective Lewis is called to investigate a particularly brutal case involving a woman found burned to death. The victim is quickly identified as Virginia Freeman, a drug addict poised to testify against murderer of her dealer. This development introduces another detective, Russert, who has been investigating the original case. Their investigation leads them to discover fingerprints on a gasoline canister that ultimately points to a small-time criminal. Upon his arrest, he readily divulges that the murder was ordered by the wife of a trial defendant. She reveals her motive in a desperate desire to keep her husband as father of her children, as she is arrested in Christmas-decorated home in front of her family.
Another subplot offers a darker reflection on what is often dubbed "the most wonderful time of the year." Detectives Munch and Bolander investigate the shooting death of Nicholas McGibney, who was dressed as Santa Claus when he was killed. Their inquiry takes them to McGibney's home, where they encounter his ten-year-old son, Fidel (played by Ryan Todd). In an emotionally charged scene, they learn that no one has been caring for Fidel while his father was away working as a street Santa. As Bolander attempts to contact child welfare services, Munch stays behind with Fidel in an effort to shield him from the devastating news about his father's death. Instead of delivering this heart-wrenching information, Munch finds himself spending time with Fidel watching television and visiting a bowling alley. Just as he gathers enough courage to break the news, Bolander returns with McGibney—alive but drunk and stripped of his Santa costume, apparently stolen by murder victim—leading to an unexpected twist that highlights both the absurdity and tragedy intertwined with holiday narratives.
Meanwhile, Detective Bayliss tries to stave off boredom during their long shift by bringing playing cards into the squad room and inviting his colleagues for a game of hearts. Initially met with scepticism and reluctance from his peers, he eventually persuades Giardello to join in for money. The game serves as a bonding experience for the detectives; before long, even those who were initially uninterested find themselves drawn into the competitive spirit. Giardello's surprising prowess at cards adds an element of humour amidst the episode's darker themes.
Directed by Peter Medak—a British filmmaker renowned for his work in dark crime dramas—All Through the House does not shy away from its manipulative and sentimental tendencies. However, Medak expertly weaves in elements of darkness and cynicism that prevent these sentiments from becoming overly saccharine or predictable.
A segment involving Lorraine Freeman—the mother of Virginia Freeman—adds another layer to this narrative tapestry. While some may view this subplot as superfluous, it provides an opportunity for Nancy Marchand—best known for her role as Livia Soprano—to showcase her acting range by portraying a character vastly different from her most famous role. This moment underscores how grief can manifest in various forms and how societal expectations can weigh heavily on individuals during times of personal tragedy.
The episode astutely illustrates that Christmas can be an exceptionally dark and traumatic period for many people, including those within law enforcement. Some detectives express resentment over their absence from family gatherings while others grapple with their feelings about being with family during such times.
Munch’s character embodies this scepticism towards Christmas; he cites alarming suicide statistics associated with the holiday season and questions whether any miracles will occur amidst such despair. Ironically, as if responding to his doubts, a miracle does unfold towards the episode's conclusion. After their shift ends, detectives are treated to an unexpected snowfall—a rare sight in Baltimore—which prompts them to engage in an impromptu snowball fight. This moment serves as a bittersweet reminder that even amidst darkness and despair, moments of joy can emerge unexpectedly.
In summary, All Through the House stands out within Homicide: Life on the Street not only for its thematic exploration of crime during Christmas but also for its adept handling of complex emotional narratives that resonate with both characters and viewers alike.
RATING: 7/10 (+++)
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