I have to admit that I consume content on streaming services like Netflix, Hulu & Disney+. Thankfully I don’t pay for these and use my relative’s accounts. I do tire of Hollywood POZ and mostly use it to watch older series, foreign series, or the odd (((Western))) series that are gems in the rough.
After being on Netflix and consuming foreign content. I have been recommended foreign series Netflix produces. I’m not sure if you are aware of how much of a massive Behemoth Netflix is. It is in every country with the exception of 4:
Conventionally, with Netflix being so many foreign markets as well as being the largest online media streaming service. The Behemoth would start producing foreign-language series for their foreign markets. With one of the founders being Marc Randolph, who is a direct descendant of Edward Bernays, who is the nephew of Sigmund Freud. It gives clarity on the type of content Netflix produces.
Netflix produces foreign-language series to capture their foreign audience and then they introduce the POZ in later foreign-language series. The POZ is targeted at what needs to be broken down.
- For Arabs, the series Jinn undermines Islam & stealthily pushes sympathy for Zionism.
- For the Japanese, the anime Japan Sinks 2020 with its very blatant attack on Japanese nationalism, racism, and the main character being mixed-race. It is a very obvious piece of propaganda. Netflix also co-produced Japan Sinks: People of Hope with TBS(Tokyo Broadcasting System). This live-action series is not as blatant in its propaganda as the anime but the message of Japan being doomed to destruction unless it opens itself to immigration is still there.
- For the Koreans, the series Squid Game is a very popular series but the subtle beginnings of the rot with the diverse character of Ali show its future. Prepare for season 2 to get a lot more POZ’d
Now for the latest series, The Club. This is a series produced by the Turkish media company 03 Medya with distribution handled by Netflix. This is in-line with Netflix’s new strategy of working with local media companies in their respective markets for their foreign-language content.
“The Club” is a Turkish drama about a Sephardic family in 1950s Istanbul, and it’s reshaping the representation for roughly 15,000 Jews living in Turkey today and offering Turkish audiences a window into an underexplored corner of the Jewish world.
The first episode of “The Club” (translated from “Kulüp”) debuted on Netflix Nov. 5 begins with a Hebrew sabbath prayer and ends in a Ladino song. It only dives deeper from there. Dealing with very familiar themes of weaving the intricacies of Jewish observance and the Jewish ever-present struggle between maintaining a line between separation and assimilation in the country of Turkey.
Turkish is the main language of the series, but there is some Ladino — the historical language of Sephardic Jewry, a mixture of medieval-Spanish, Hebrew and Aramaic alongside Turkish, Greek, Arabic, and other languages — in every episode. Highlighting the international nature of Jews.
Netflix is very deserving of a deep-dive in the near future. This weapon of ZOG is making inroads into media markets around the world & is crushing their local competitors.