Judas and the Black Messiah Review - 2021 ‧ Drama / Historical drama

in Movies & TV Shows4 years ago

We present to you a review of Judas and the Black Messiah , but before that it must be mentioned that Hollywood cinema still deals with the past in many of its films and reveals its facts, especially those that are reflected in the present of humanity with a clear match. The history of dark-skinned Americans who witnessed the worst And the most intense periods they have known since they first set foot in this world, they seek it with the same right as the others without discrimination or arbitrariness that is useless.

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Dramatic pictures, biographies, and adventures that carry a relative amount of adventure and fun, these are the different styles that have guaranteed many successes at the critical and public level, to the point that they have become extensively represented in the Oscars over the past few years, and they have also ensured that they do not come out empty-handed without carrying the statue Golden, which is the most important award in the film industry as a whole.

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Judas and the Black Messiah review
In 2021, lovers and fans of this type of films will receive a new version of Warner Bros., inspired by real events in the sixties, specifically in the state of “Chicago”, when the signs of a popular revolution erupted in order to restore legitimate civil rights that are unlawfully deprived of racist ideologies and policies, And do not encourage the advancement of society where it is equal and does not discriminate between people on the basis of race or any other considerations.

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A tight, dramatic and rich scenario on the level of narrative content presented by the young director "Shaka King" in his second long narrative experience, in which he is exposed to a new chapter in the long American conflict between the two state sects that extended for long periods, and in which many and many events took place, which makes it suitable material for the cinematic novel to be presented With efforts exerted with great dedication at the viewer's table while he was at home, as a result of the crises that the cinema is going through that caused its closure, and some remembered the history of their ancestors who tried to resist by all means available to them.

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Story Judas and the Black Messiah

Judas and the Black Messiah sheds light on “Fred Hampton,” one of the leaders of the “Black Panther Party”, specifically the “Illinois” branch, and his hard efforts in resolving the internal conflict in “America” and the pursuit of social change and equality among the people of the country One, at a time when the young criminal "William O'Neill" is being recruited by the "FBI" in order to try to infiltrate the party, and to inform the federal authorities of all the information that is circulating on the tongues of "Fred Hampton" and his aides

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What distinguishes the scenario of Judas and the Black Messiah is the escalating rhythm from the beginning to the last turn of the story, and this came as a result of the adoption of important details from the true story, including the history of the characters ’journey, whether in the revolutionary endeavor that concerns the character of" Fred Hampton ", or in the coexistence of a character "O'Neill" among the men of the party as if he is one of them and the many pressures he is exposed to, whether from the federalists or in the other difficult situations that confront him whenever "Hampton" and his comrades hit them.

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But there are two main points that are the milestones in the success of Judas and the Black Messiah. First, the absence of intense drama that provides glimpses of the suffering of black people in order to affect the viewer and succumb completely to his tears that flow on his cheeks from what he sees. A cliché that everyone used to do in a lot of work, and it has become a repetitive approach that has made some hesitant to follow it.

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Secondly, it is somewhat related to what was mentioned above, which is the impartiality in proposing the idea without showing bias for one party at the expense of the other, as is expected in many works of this form. The phrasing is, of course, documentary, but cinematic that adheres to the standards known in the jungle, direction and beyond

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Nevertheless, there is one flaw in the script, and despite the film being devoid of any other flaws, it is a problem that could have been avoided and focused on in light of the ideal state of events and their interconnectedness with each other, which is to go deeper into the character of "O'Neill" and explore his motives, especially with his mixing with the group "Panthers". Al-Sawda 'and his exposure to several stressful situations that almost precipitated several changes in the personality’s mentality over time, but in the end, the scenario managed to become a major nerve for the viewer to connect with the story and learn what was going on in that dark period of the ancient history of “America”.

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The director, Shaka King, is credited with harnessing the camera lenses with great awareness of what needs to be taken from the cadres commensurate with the nature of the scene that will revolve on the screen, starting with the close-ups shots that focused on Fred Hampton while delivering revolutionary speeches in the midst of crowds. And also in scenes of clash by not resorting to more "Shaky Camera" so that the viewer knows his way to the event and interacts with it, in addition to good montage in the composition of the scenes and their arrangement according to the time of their actual occurrence, and the design of costumes and production that suits the nature of the time in which the film is going on.

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And just as Shaka King distinguished himself on the technical level, there is also praise for his suitable choices for the cast, “Daniel Kaluuya,” the young talent who rose to the ladder of glory at rocket speed by nominating him for the Oscar for the first time for the movie “Get Out.” Here he intends to return to the awards circle from New with an explosive performance on the emotional level, and a revolutionary one in giving dialogue, in which he succeeds in applying "method acting" or embodying the character given to him as it is written, and here means "Fred Hampton" with all his characteristics and character known about him.

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He is also involved for the second time after "Get Out", the star "Laketh Steinfeld", who bears the task of imparting a simple dramatic sense to his character, especially in the second half of the film, and was able to present it with distinction despite the defect of the scenario mentioned earlier, and most importantly, he created a kind From the balance is the other, on the level, expressions between being mainly in the midst of "Fred Hampton" party spying on them,He interacts with them as if he is one of them and believes in their cause and carries out their instructions and orders. The role of "William O'Neill" is considered a quantum leap in the career of "Steinfeld", which has become the attention of many filmmakers in the past few years.

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In conclusion, Judas and the Black Messiah adjusts the course of 2021 after its early failures, and director Shaka King chooses the topic he wants to address and presents his second directorial project with it after he presented a movie called “Newlyweeds” in 2013, which in turn inherits a cinematic image. Based on the past history of black slavery in "America" ​​at the time.

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The issue of racism in the world is still a virus quw although it is no longer the way it used to be felt and it is a great lack of respect for people since they should be smart enough to get that racist thought out of their minds.

In the United States as in some countries in Europe, you keep seeing cases of racism.

The films have taken part in this by showing a cruel reality that for years has been lived in aggressive and humiliating ways.

This film is a sample of those experiences, which I hope one day will no longer exist in this world since we are all the same, red blood runs through our veins and that is enough, the rest is just a facade.

Greetings!