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As the narrative progresses, Juna's workload and mounting frustration culminate in a harrowing act of desperation. In a chilling scene, Juna suffocates her own son, revealing a stark absence of remorse. After the act, she calls her ex-husband, Lang, to inform him of Brecken’s death and expresses her long-held belief that their son was a "monster." This shocking event sets the stage for the film's exploration of complex themes surrounding maternal instincts, guilt, and the nature of humanity.