Part 5/9:
As Sam grapples with the public's gaze and the commodification of his body, he reflects on his past life in Syria, laden with memories of love and freedom, overshadowed by violence and imminent danger that forced him to flee. In juxtaposition to these reflections, his experiences as a 'living exhibition' underline the exploitative dynamics inherent in the art world, where human suffering is monetized and aestheticized.