Part 5/7:
Some reviews have pointed to "Megalopolis" as a 'vanity project' for Coppola, suggesting that he crafted the film primarily for personal satisfaction rather than audience enjoyment. While some may view this as admirable independence from commercial constraints, the execution reflects a sense of self-indulgence that leaves many feeling unfulfilled.
The film's end prompts concern that it prematurely concludes the contentious conversations carefully established throughout, with Coppola guiding audiences toward a definitive "correct answer" rather than allowing exploration of the philosophical underpinnings. Critics argue that this compromises the engaging dialogue initiated in the beginning, leaving viewers with a sense of dissatisfaction.