Part 7/10:
Time moves forward, but Conner is haunted by regret and guilt, while a young girl named Norah, left without a father, suffers her own turmoil. Meanwhile, the technological advancements within Lifeline, spearheaded by a researcher named Jay, allow for new possibilities—such as the development of a machine capable of not only sending clients to the future but also allowing for travel back to pivotal moments in the past.