Part 2/7:
The critique begins with a scornful dismissal of Salles’ new film, Ainda Estou Aqui (I Am Still Here), suggesting that it is part of a trend that lacks genuine audience appeal. The commentary suggests that Salles has only recently benefited from public funding for his projects, especially following the return of President Lula’s administration, which has made resources available that were previously unavailable under Bolsonaro's government. The commentary argues that under Bolsonaro, opportunities for funding would have been curtailed specifically for filmmakers who do not resonate with the broader public.