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Another outdated guideline is the belief that you should apply a low-cut filter for vocals around 90 to 100 Hz. While this may work for some pop genres, it is ill-suited for styles like hip-hop, where dominant bass frequencies can clash with vocal lows. Emerging trends reveal that many mixing professionals often set the low-cut filter higher, typically between 115 and 120 Hz, to avoid muddying the mix.
Thus, a more tailored approach to frequency management is essential. By analyzing current vocal trends and adapting your techniques, you can prevent frequencies from competing, allowing for a cleaner sound in modern tracks.