Part 5/6:
As the dialogue unfolds, the conversation introduces titles that elicit love not for their quality but rather for their uniqueness or sheer entertainment value. Movies like Showgirls surface in discussions, illustrating the perspective that not all films need to fit the mold of traditional "greatness" to be enjoyed.
One participant passionately defends Showgirls, asserting that its grandiosity and outrageous elements make it an entertaining watch, even if it's not a critical darling. The contrasting opinions on what constitutes a “good” versus a “bad” film create a rich tapestry of understanding that subjective tastes are vastly different, with some viewing films as a form of escapism rather than evaluative art.