Part 3/6:
When it comes to the various theories surrounding Hoffa's eventual fate, Marino is particularly skeptical of the popular narratives—the extensive storytelling often left to dramatization does not sit well with him. He categorically rejects The Irishman’s account as sensational nonsense, asserting that the movie’s assertion of Hoffa’s murder by certain mobsters is unfounded.
Marino insists on a critical distinction stating, “he has nothing to do with the [Hoffa hit]” and goes on to suggest that the reality of Hoffa's disappearance relates more closely to the workings of the Genovese family, implying that they—rather than the Irish mob—were likely involved.