MURPHY: My producing partner was working with Matt on the U2 documentary about Sarajevo, and I was working with Matt on “Oppenheimer.” It was a pincer movement. I remember it was like a night shoot in the desert somewhere, and we were waiting for the rain to pass or the lights to be fixed. And he was telling me about Artists Equity. I said well, I happen to have this script, and I gave it to him. He’s got such great taste. He’s such a great filmmaker and actor, just a legend and just a lovely human being. He just really understands these sorts of stories. And immediately he said, yeah, we’re on.
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