And the existence of male and female, and the desire of each for conjunction, and the power of using the parts which are constructed, do not even these declare the workman? If they do not, let us consider the constitution of our understanding according to which, when we meet with sensible objects, we simply receive impressions from them, but we also select something from them, and subtract something, and add, and compound by means of them these things or those, and, in fact, pass from some to other things which, in a manner, resemble them: is not even this sufficient to move some men, and to induce them not to forget the workman? If not so, let them explain to us what it is that makes each several thing, or how it is possible that things so wonderful and like the contrivances of art should exist by chance and from their own proper motion?
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