A black-and-white Judy Garland walking into Technicolor in the original Wizard of Oz is rightly hailed as one of the greatest moments in cinema but, for a younger generation, Baby Herman storming out of a cartoon onto an actual movie set had the same effect. The way Back to the Future director Robert Zemeckis brought animated characters into a live-action world is an incredible technical achievement, but even beyond the ‘how did they do that?’ magic, it’s a hell of a movie. Who Framed Roger Rabbit is a family-friendly take on classic film noir, with a stuff-of-nightmares villain and – in Londoner Bob Hoskins – one of cinema’s great hard-boiled PIs.
You are viewing a single comment's thread from: