Underwater Sirens: Kerry-Anne

Kerry-Anne

First underwater shoot and video last season after the many setbacks of yesteryears with Kery-Anne and Christina. This post is just focusing on Kerry-Anns with Christinas to follow as both deserve their own spotlight. Just prepping up for this seasons shoots but again many setbacks caused by lock downs, pool maintenance issues and gear but soon to get started again regardless.

Model: Kerry-Anne Peterson - https://www.instagram.com/kerryannepeterson

Makeup: Jess Zhu - https://www.instagram.com/jessicazhumua/

Hair Stylist: AhKim Anthony Tan - https://www.instagram.com/ahkimartofhair

Photography & Video: Chris David https://www.instagram.com/chrisdavidphoto

Music: Encounter by Divine Attraction
Via Artlist https://artlist.io/Chris-18932

The photos were taken with Canon 5DmIII with 16-35mm f4L IS in Ikelite Housing while the slowmotion videos were taken with a Sony RX100V in Seafrogs Underwater Housing.

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Underwater Sirens: Kerry-Anne & Christina

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Combined short video from both shoots.

Music: Shallow Water by Sivan Talmor


Most underwater and UV model shoots are self funded personal creative art project I do under the collection “Ethereal, Mythical and Mystical Creatures” for the sake of creating art and also challenging myself technically to improve as a photographer. Aside from being extremely challenging in all aspects its also one of the most expensive and high risk due to cost of equipment, chance of equipment damage that insurers might not cover, safety for myself and the model/team. Always great to get some feedback on my work, support/subscribers or any help finding clients or sponsors so I can keep these personal projects alive.

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What an interesting and impressive photographic proposal. It must be a daunting challenge to produce each of your incredible shots. Extraordinary my friend. 👊

Thanks @charsdesign. Always a challenge with these shoots.

These turned out fantastic. Really cool shots. I love the flow that they give... makes it more fun for the eyes to process. Thanks for sharing

Yeah I usually try to use a lot of flow with materials in underwater work. It sort of needs that movement especially with limited space and context. Shooting models in just bikinis in that backdrop doesn't work well vs shooting it in an oceanscape.