NAO definitely stood out as my favorite part of Disclosure's Caracal last year. Superego, a song that most people found horribly annoying, was actually one of the only moments on the album where the production felt immediate enough to match the energy of the guest. As far as her production on this record goes, she could really benefit from a faster pace to differentiate her from her influences. Or go a more synthetic and heavy route like on Girlfriend. That was a pretty terrific surprise.
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Same here too
I love it when somebody brings in a reference that I didn't include. Indeed, I loved her work with Disclosure.