When photography takes itself out of context, severing the connections
illustrated by Sander, Blossfeldt, or Germaine Krull, when it frees itself from
physiognomic, political, and scientific interest, it becomes creative.
The
lens now looks for interesting juxtapositions; photography turns into a sort
of arty journalism.
"The spirit that overcomes mechanics translates exact
findings into parables of life”.
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