Behinds the scene photo of the set. Main light switched between a mole richardson 650 and my new wasp 100c from Hive lighting with a profoto magnum reflector. The large 2k had actually been retrofitted with a standard e26 socket which i had a Platinum JDD 150W frosted bulb. On camera left was a smoke machine that i had my assistant running.
What really like about the wasp 100c from give lighting is that its LED and only runs on up 80 watts of power. It also connects to my iPhone via an app which gives me full color and saturation control allowing me to produce almost any color i want. It also accepts profoto modifiers.
everything was shot with a canon 1dx and the voightlander 58mm f1.4
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Awesome post Alex! Love how complex your stuff is getting :)
thanks man, I've been working a lot on trying to make my images have more of a cinematic feel to them. I've been been going as far as using constant lights instead of strobes. Something about continuous tungsten lighting from a fresnel adds something you can quite mimic any other way.
There is definitely something different about continuous, how it works, how it looks. I've been using a good amount of it as well. Mixing the color temps so nicely, hat's off to you for that :)
mixing color temp for sure. it can add so much depth to an image, next time your in MPLS ill have to show you the new LED light i got. its a game changer