The so called "Coronavirus" has never been about health, or about viruses. It is primarily about mind programming.
Although it is a step too far into the rabbit hole for most people, a site that reveals many secrets of mind control is FIGHTING MONARCH
It is described as "A Resistance Site For Victims of CIA, NSA, MI5 and Illuminati Mind Control" - that used to be considered freakish but right now that applies to almost all of us.
As a kid I used to watch the original Wonder Woman TV show. The acting was pretty crap but Lynda Carter in her hot pants was a sight to behold. And looking back now, it is all a great example of mind programming. This post is as much about corona virus as it is about Linda Carter. This is how they do this mind programming stuff...
This is an edited copy of content originally published HERE
THE WHORE OF BABYLON: LYNDA CARTER, FAKE FEMINISM, & THE NWO
Lynda Carter, a “beta sex slave” programmed under MK-ULTRA to betray women’s interests; fuel rape fantasies; and shill for Nancy Pelosi, Hillary Clinton, and the United Nations.
Carter was born in Phoenix, Arizona, a hotbed of Illuminati, Freemason, and CIA activity. Most of the first citizens of Phoenix were Freemasons, and the city is overlooked by a white pyramid called Hunt’s Tomb, which offers a panoramic view of the eastern Valley of the Sun.
In true masonic style, the tomb was built on an ancient astronomical site, aligned to the cardinal directions, with the entrance facing the rising sun. Its dimensions are the same as the missing capstone of the Great Pyramid, so it evokes the Illuminati symbol we find on the dollar bill right over the words Novus Ordo Seclorum—that’s Latin for NEW WORLD ORDER.
Inside the tomb lies George Hunt, or George VII, the first governor of Arizona, who held office for seven successive terms. Hunt was an open member of the Odd Fellows, the Blue Lodge of Masons in Globe and Knights Templar, and a charter member of Globe Lodge P.G. That’s about as Mason as it gets.
The city takes its name from the phoenix, a mythological bird that rises from its own ashes, a symbol of the New World Order, picked up on Wonder Woman’s costume.
Many innocents have been sexually abused in Phoenix, first by the Freemasons and then by the CIA under PROJECT MONARCH and MK-ULTRA. In this regard, I have written of Patty Duffek, who was born in Woodland Hills, where Susan Ford was sexually tortured and brainwashed, later moved to Phoenix, and still later appeared in the Playboy Mansion, where many have suffered rape, hypnotism, and abuse under CIA auspices.
Lynda Carter was born in Phoenix, where she lived the first twenty years of her life. In her early childhood, her parents fought often. Carter said, “My favorite place was the closet, in the corner, where I could pretend I was lost in a forest….”
At age ten, Lynda Carter’s parents were divorced. Carter lived with her mother, who worked, so she was often alone—making her an easy target for abuse. CIA love to split up families and isolate children, so they can be brainwashed and sexually abused.
Cisco Wheeler has described the process used by CIA to brainwash children and abuse them sexually; and I have also written of drugs used under MK-ULTRA that stop memories from even forming. Most do not remember the abuse they suffer.
Young Lynda Carter ran wild. At fourteen, she joined a band, in which she sang three nights every week at college hangouts. By sixteen, she joined another band, traveling cross-country for three years. They opened at the Congo Room at the Sahara Hotel, Las Vegas, for three months. Because Carter was still an underage girl, she had to enter through the kitchen. Here you see the glazed look in her eyes that typifies victims of PROJECT MONARCH.
Having turned down a scholarship at Arizona State, at age twenty, Carter entered her first and only beauty contest, where she was crowned Miss Phoenix, Miss Arizona, and Miss USA by Bob Hope. Susan Ford writes extensively of her horrific sexual abuse by Hope, who was a pimp, handler, and rapist under MK-ULTRA. You can bet Carter endured the same; but, like so many victims, she does not remember.
Here’s another picture of Lynda Carter, after she was crowned Queen of the Bob Hope Desert Classic.
Susan Ford describes how Dean Martin raped her at Bob Hope’s direction. Like Hugh Hefner, Hope was absolute scum, and many women were brought into the “program” at his hands. Here Ford describes a game like Simon Says, a favorite at MK-ULTRA, indicating Hope’s control over his victims.
I was usually one of the youngest girls at the parties and most of the men were pretty old. Dean Martin was at a party one night and he was drunk. He wanted me to sit on his lap. Looking over at Bob slyly, Dean said, “Come on Bob, share some of your pretty young stuff.”
I looked to Bob for direction and he answered, “Okay,” smiling broadly at his friend. Shyly, I went over and sat on Dean Martin’s lap. All eyes in the room were now on Dean. He took one of the straps from my dress down as everyone cheered him on. I looked over at Bob, feeling shy and scared but smiling, as my programming dictated.
Then Dean took the other strap down, pulled my dress down, and grabbed my breast. With each move he made he slowly turned to Bob, asking for permission, “Bob, can I take her bra off?”
“Yes,” Bob said with a sly smile on his face as everyone continued to cheer.
“Bob, can I put one of her breasts in my mouth?” And as Bob gave his permission, Dean put his drink and cigarette down and leaned over to suck on my breast. He stunk like hard liquor. His eyes were all bloodshot and he spoke slowly and slurred. He scared me because I didn’t know if he would hurt me. Then he asked Bob if he could remove my dress to which Bob replied, “Yes,” while the group hailed him again.
After removing my dress, Dean asked, “Bob, can I remove her panties?”
Bob said it was all right with him and so Dean took off my panties and laid me over a table and began sticking his finger in me. I was moving all around and making sexual noises, like I had been trained to do. All the people watching were getting turned on and it started group sex.
Here we see Lynda Carter with Dean Martin, at one of Bob Hope’s golf tournaments; so it’s impossible to believe she did not suffer a similar fate.
Susan Ford also describes how, under PROJECT MONARCH, Bob Hope pimped her to Johnny Carson, with whom Carter appears below.
Brainwashed by Hope, Carter would continue their relationship for many years to come, as she appeared on his television shows.
Many years later, Carter spoke vaguely of her sexual abuse, but she refused to name her attacker. I hate to say this of any survivor; but, given Carter’s story below, it seems she wanted to get in on the MeToo movement to impress her “sisters” in the Democratic Establishment. Still, Carter seemed to imply that she had been drugged and raped, saying, “I believe every woman in the Bill Cosby case.”
But despite her “glamorous” appearances with Bob Hope, Carter was broke and on the verge of eviction. CIA likes to keep targeted individuals poor and lonely, so it wasn’t long before this young single woman appeared naked in a Hollywood film.
In the 1970s, posing nude was pretty much the kiss of death as far as a television career went, but Carter was the exception.
With almost no acting experience, Carter had tested for—and didn’t get—the lead in the first Wonder Woman pilot. “I didn’t even get a callback for that one,” she says. But eight or nine months later, when Douglas Cramer, the executive producer, set out to revamp the concept, he chose Carter for the part. Although over two thousand actresses tried out, Cramer told Carter, based on an early screen test, it was unnecessary for her to audition. He even refused to produce the series without Carter. “Unless I get to cast this girl,” he said, “You can forget it. She is Wonder Woman. She resembles her exactly, she can pull it off, and there’s just no point in doing it without her.”
The offer came just in time: Carter had only twenty-five dollars in the bank. That’s exactly the sort of set-up that CIA arranges under MK-ULTRA. If you’re broke, and a job arrives out of nowhere, you can bet it’s from them. Think carefully before you take it.
The New Adventures of Wonder Woman was the first t.v. show to feature a woman lead (not counting comedians like Lucille Ball and Carol Burnett). In the late 1960s, Gloria Steinem wrote an essay on the character, describing her “importance” to girls and women, and holding Wonder Woman up as a feminist icon. This, too, smacked of MK-ULTRA, given Steinem’s avowed connections with CIA. Incredibly, Steinem wrote, “In my experience, the Agency was completely different from its image; it was liberal, nonviolent and honorable.” That is someone either who is lying or who has been brainwashed.
As I have written elsewhere, the New Adventures of Wonder Woman is a tool of MK-ULTRA, fueling rape fantasies and signaling mind-control techniques. The scum at CIA love to advertise the ways they abuse us.
Wonder Woman, Mind Control, and Rape
Because of CIA’s commitment to the show, even after ABC dropped The New Adventures of Wonder Woman, CBS picked it up the following season. Just as I cannot think of another t.v. star from the 1970s who posed naked—aside from Debra Winger who played Wonder Girl—I cannot think of another show that jumped from one network to another.
Superheroes were all the rage, as they still are under MK-ULTRA—with The Incredible Hulk on CBS, The Bionic Man on ABC, and The Bionic Woman on the same channel. CIA was signaling how they control us, as the following database of over one hundred patents indicates. Thanks to illegal cybernetic implants, nowadays we are all bionic men, women, and children.
Despite relentless rape suggestions, Carter, like CIA mouthpiece Steinem, sees Wonder Woman as an icon of feminism, and she believes she presents a positive image for girls to emulate. As Carter said,
It’s the ultimate sexist thing to say that’s all you can see, when you think about Wonder Woman, all you can think about is a sex object.
Carter also said,
There’s such a fine line between fantasy and reality in the show that it’s probably the most difficult role I’ll ever play….
This “feminist” aspect of the show provides a toe-hold for CIA abusers to sell the image of Wonder Woman to girls and women. Under MK-ULTRA, young girls were programmed to spin, dissociate, and transform into altered personalities (“alters”)—after being drugged, hypnotized, raped, and electroshocked to erase memories—and to dress, then, in Wonder Woman underoos, now, in cosplay, or, later, in sexy Halloween costumes. Women think they are liberated, or just having fun, while they fuel unhealthy male fantasies.
It’s all about rape. To this day, Carter is programmed to arouse rape fantasies. Here she describes her purposely rude reaction to a male fan who feels desire and admiration.
And I’ll tell you this, when women recognize me in airports, I hold them in my arms and they cry.
If a guy comes up and says, “Oh my God, I had such a crush on you when I was a teenager,” I say: “Talk to the hand.”
PROJECT MONARCH wants that man to feel anger toward Lynda Carter, and Wonder Woman, which would combine with his sexual desire, feeding into rape fantasies from the show, which would ultimately be transferred onto other women.
After Wonder Woman, Carter appeared in films with sexualized rape scenes.
In She Woke Up Pregnant, Carter played a lawyer who vigorously and unequivocally defends a dentist who rapes sedated patients, one of whom recovers her memories….
Here’s another feature, Prayer in the Dark, where Lynda Carter’s rapist takes a rougher approach.
And here’s yet another scene from a film Carter made right after she left Wonder Woman. The Last Song suggests her rape and the rape of her child.
As Cisco Wheeler, Cathy O’Brien, Susan Ford, and others testify, the scum at CIA will often rape a child in front of her mother, a mother in front of her child, or threaten a child or a pet to enforce compliance. After the victim complies, the pet will be killed, or the child raped, anyway. Never make a deal with these bastards!!!
One can imagine Linda Carter having to live out the same scenes at the hands of her tormentors, and then being forced to reenact them on television to the amusement of her handler.
I have written elsewhere about similar crimes inflicted on a woman I dated.
What They Want To Take From Us
The scum at CIA not only sell perversion but delight in mocking victims through cartel signaling. Similar themes appear in movies like Cape Fear—not to mention pornography featuring step-mothers and step-daughters. In this regard, I have written elsewhere of Mia Khalifa, a Lebanese Christian who did porn wearing a hijab with a woman acting the part of her step-mother.
First CIA used her to distract people’s attention from the Middle East, to desecrate images of family and religion, and to sexualize anger. Then they used her as the poster girl for PROJECT ORION, when she gave her gun away in front of two million twitter followers. And finally the trash at the agency mocked her with satanic signaling. Mia’s thing is Batgirl.
But let’s return to Lynda Carter…. Here she appears in a sexualized pose, holding her children. The perverts at MK-ULTRA want a man to become sexually aroused and then to move his attention either from her breast to her younger bare-bottomed child’s hand or from her thigh to her older child’s mouth. Through the picture, CIA tries to move the viewer into child pornography. These people are sick.
Although Carter appeared topless in Bobby Jo and the Outlaw, she never posed for Playboy.
Readers may remember my other articles on Playboy Magazine; MK-ULTRA signaling; and Hefner’s role as a pimp, handler, and rapist.
Nonetheless, Carter was going to appear as a Playmate in Apocalypse Now, except a monsoon and prior commitments forced her to step away from the role. Remember the scene where Playmates dance in front of a crowd of lustful soldiers, who rush the stage to rape them? That was going to be Lynda Carter, and this centerfold was made for the movie.
Later, Carter would act in a film where she played a woman who posed for Playboy. Here’s a scene from Posing, on the Lifetime Channel, where she fuels more fantasies.
In her personal life, Carter remained active in the United Church of Christ. She and her Jewish husband would read the Bible for five minutes in her dressing room, each time she took the stage at Caesar’s Palace, Las Vegas, and a large crucifix hung over their bed. Although the United Church of Christ has fewer than two million members, those have included over a dozen senators and governors—not to mention (a) President Barack Hussein Obama, (b) Vice President Hubert Humphrey, (c) Howard Dean, the Chairman of the Democratic National Committee, (d) Chief Justice William Rehnquist, and (e) Robert Orr, the Assistant Secretary General of the United Nations.
Nonetheless, Carter’s “religious” affiliation didn’t stop her from dancing, virtually bare-breasted, in a showgirl costume with KISS (Kings in Satan’s Service). In her televised Rock and Roll Fantasy, Carter believes she is empowered, but the truth is very different. Like any beta sex slave—or any MK-ULTRA victim—she phases out, into trance, and moves through alter into alter. First she becomes Tina Turner, dancing in a satanic ring of fire. Then she phases out again, caught this time in a spider’s web, continuing to shake her hips, and appearing as topless as t.v. standards would allow, as she dances with satanists, singing, “I was made for loving you.” Finally, she phases out again, collapsing on the floor, just as in a hypnotic session.
Carter’s costume draws on Walt Disney. It is something between Maleficent from Sleeping Beauty and the Evil Queen from Snow White. I can’t tell which, but the cartel signaling is there; as is, perhaps, an attempt to move children into satanic sexuality or adults into cartoon porn. If we believe her words, Lynda Carter prayed to Jesus, backstage at Sin City, before she appeared like this….
Here Carter appears in a daze, wearing another showgirl costume, covered with satanic pentagrams. No doubt she prayed to Jesus before she slipped into that thing, too.
Some of the show tunes Carter sang in Las Vegas included Jubliation, where she sang about the Devil and Jesus, and Love the One You’re With, where she sings,
When you’re down and confused
And you don’t remember who you’re talking to
Concentration, slips away….
Or the Rubberband Man, possibly suggesting bondage, where she sings,
Hey y’all prepare yourself for the rubberband man
You’ve never heard a sound
Like the rubberband man
You’re bound to lose control…
I was so surprised
I was hypnotized….
Carter also did a song called Toto (Don’t It Feel Like Paradise), referencing her Wizard of Oz training under PROJECT MONARCH. Cisco Wheeler describes the process, and I have written about it in my article on Sarah Palin–who, like Carter, has a fondness for black and red (satanic) outfits.
Here’s Carter with her trademark stars—think pentagrams—and the zebra print that marks a beta sex slave.
Otherwise, Carter worked as the poster girl for Maybelline. Surrounded by a row of lipsticks that resemble penises, Carter intones in a sultry voice, “Colors that lick your lips… To keep your lips very moist, very soft, and very wet.” One cannot help but wonder to whom she is selling this stuff.
In her personal life, Carter left her first husband, who managed Lindsay Wagner, a blonde who played the Bionic Woman, to marry her second husband, Robert Altman. She met Altman at a dinner party, where she confused him with her hypnotic master. Someone else was going to take the chair next to her, but Carter said of Altman, “I think he willed the person not to sit next to me….” At the wedding, Altman’s best man was Clark Clifford, once Secretary of Defense and then senior partner in his law firm. Both were accused of defrauding the U.S. government out of two hundred million dollars in connection with the Savings and Loan Crisis, which would make home ownership impossible for successive generations of Americans.
Carter moved from her home in Los Angeles, La La Land, to Washington, D.C., The Swamp. In the 1980s, she made the rounds with Republicans like Ronald Reagan and Bob Dole, promoting various charities; but later, after a bout with alcoholism, she threw her weight behind Democrats like Hillary Clinton and Nancy Pelosi.
Many know of the Clintons’ involvement in numerous scandals and murders, including Benghazi, about which I have written.
Hilary Clinton raped Cathy O’Brien and Susan Ford; covered up her husband’s rape of numerous women, whom she defamed; and shares connections with human traffickers like John Podesta, who raped children in Pizzagate, and Laura Silsby, who trafficked children in Haiti.
Hilary Clinton is a Grande Dame of the Illuminati, who is implicated in the ritual sacrifice of children, and the extraction of adrenochrome from their bodies, a practice described by Ronald Bernard, former banker to the Illuminati.
Like many, I say, “Release the video!!!”
But of her good friend, Hillary Clinton, Lynda Carter says,
I’ve known Hillary Clinton for thirty-five years. She is the kindest, most wonderful human being. She has an infectious personality and smile and warmth and personality and true nature….
I do think Wonder Woman would be all for the first female president.
Carter’s ties to the New World Order don’t stop with Clinton. She was active in the United Nations campaign to hold up Wonder Woman as an ambassador for women and girls, a selection that was opposed by a petition signed by 45,000 people. Noting that former UN “ambassadors” have included Disney characters like Tinkerbell, the Ambassador of Green, and Winnie the Pooh, the Ambassador of Friendship, the petition stated,
The character’s [Wonder Woman’s] current iteration is that of a large breasted, white woman of impossible proportions, scantily clad in a shimmery, thigh-baring body suit with an American flag motif and knee high boots—the epitome of a “pin-up” girl. This is the character that the United Nations has decided to represent a globally important issue—that of gender equality and empowerment of women and girls. It appears that this character will be promoted as the face of sustainable development goal 5 for the United Nations at large….
Since 2007, the Secretary-General has launched campaign after campaign under the banner of the empowerment of women and girls. However, the United Nations cannot on the one hand claim that “providing women and girls with equal access to education, healthcare, decent work, and representation in political and economic decision-making processes will fuel sustainable economies and benefit societies and humanity at large,” and on the other, award this key ambassadorial role to Wonder Woman, relegating the importance of the issue of gender equality and the empowerment of women and girls to the previous appointment of fictional characters for ambassadorial positions, such as Tinkerbell (Ambassador of Green) and Winnie the Pooh (Ambassador of Friendship).
But, in the face of the petition, instead of joining with her “sisters” over real women’s issues—such as rape, human trafficking, or equal pay for equal work—Carter claimed the pushback derived from the UN’s failure to elect a woman as secretary general.
As noted above, the United Nations’ abortive selection of Wonder Woman as its ambassador for women and girls was connected to its goals for “sustainable development,” including Agenda 21, which covertly seeks to kill over eighty percent of the humans on the planet, herd us into cities, and manage every aspect of our lives.
Like the UN—not to mention the United Church of Christ—Carter supports the normalization of homosexuality and transgenderism, a movement that pedophiles now seek to infiltrate, calling themselves “Minor Attracted Persons” or MAPS, seeking to change what was first the LGB movement, and then the LGBQT movement, to the LGBQTP movement.
Otherwise, in 2003, Lynda Carter revealed that her mother suffered from irritable bowel syndrome for over thirty years. The disease is a common result of implanted technology. The scum at CIA love to laugh at a victim who shits her pants.
Because of MK-ULTRA, Lynda Carter, like John McCain, suffered from brain cancer due to her cybernetic implants and because of her abuse, the once beautiful Lynda Carter ended up looking like some kind of messed-up robot zombie.
But once she was human….
This is what they do to us.
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