The Conspiracy Extends to the Musical Scale
“This unnatural standard tuning frequency (440 hz), removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.” by L. C. Vincent (for henrymakow.com)
PROLOGUE:
Vibration throughout the frequency spectrum of sound, heat, and light, is the organizational principle of matter. Sound is the organizational principle of our Universe, of physical matter and most importantly, living matter.
The science of Cymatics illustrates that when sound waves move thru a physical medium (air, water, sand, metallic particles, etc.) the frequency of the waves has a direct effect upon the structures which are created by the sound waves as they pass thru that particular medium. YouTube videos show these fascinating patterns and arrangements here:
THE MUSICAL CONSPIRACY - The TRUTH about the Musical Industry
Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.
Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.
Imagine that he bases the entire scale of musical artistic creation upon a frequency that would skew vibrations towards discord.
It sounds like science fiction. Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of “A” above middle C would henceforth be said to vibrate at precisely 440 cycles per second.
This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.
The standard tuning fork, which is set to vibrate the note “A” above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.
Despite the apparent “sweet music” a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what “music” they may be playing.
These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity. Additionally, they also stimulate the controlling organ of the body - the brain - into disharmonious resonance, which ultimately creates disease and war.
“MILITARIZATION OF MUSIC”
In a paper entitled “Musical Cult Control,” Dr. Leonard Horowitz writes:
The music industry “…features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness….” while the agents of this conspiracy provide ‘therapeutic’ pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires.”
He says, “Energy (vibration) impacts “life” (biology) and our bodies through the most common medium of life: water. Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes.
Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light.”
As noted, the Rothschild-Rockefeller (Illuminati) alliance chose “….to determine the musical factors capable of producing psycho pathology, emotional distress and ‘mass hysteria.’”
BAD VERSUS GOOD VIBRATIONS
The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.
However, the BSI - British Standards Institute - officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war. While British musicians had rejected 440Hz just 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.
As Dr. Leonard Horowitz concludes: “Music bio-energetically affects your body chemistry, psycho neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love.”
Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.
CONCLUSION
I don’t know if anyone can prove a direct link between aggression, disassociation, paranoia and violence to a tuning system that was promoted by both the Rockefellers and the Third Reich. However, just the fact that these two entities came together to push this standard is more than suspicious in my mind.
Although more than a few people have made the connection between the music of John Philip Sousa and his marching music as a stimulus to war, that specific link is in reference to composition, not frequency and vibration based on a tuning system.
“Intuitively, I think my sources are correct. But how does one go about proving that a specific frequency tuning is creating social stress, disharmony or physical violence and war? But the fact that the Rockefellers and the Third Reich pushed this tuning standard over the opposition of British musicians makes it suspicious, even sinister.”
The Rockefeller–Illuminati axis, their money and research, imposed this artificial tuning “standard” upon Mankind for the purpose of creating chaos. It continues to this day to funnel our minds and emotions along paths of negativity. It is high time for new, good vibrations to become ascendant and a “new standard” of vibrational tuning to emerge. It is time for the power of Love to triumph!
Source: http://humansarefree.com/2011/03/does-conspiracy-extend-to-musical-scale.html
I have a longstanding interest in electronic music & composition. In electronic music, the various "Rockefeller standards" and tuning are completely optional, because a synth unlike a piano, is capable of retuning every single note in real time, to any frequency if desired. However, most people don't know/care about this and just use the default standard.
I felt the need to experiment and find out what's what in this whole realm, and learned some things about what you wrote above.
Here are my findings for you:
It is completely irrelevant whether the base tuning (440hz) is divisible by two or by three. This bit might be disinformation or confused. That's because it's based on the measurement in Hertz (defined as cycles per Second). A Second is quite an arbitrary human measurement when it comes to measuring time. The natural (and hence musical) world doesn't really work based on seconds, minutes, hours - arbitrary time units - so I would claim that a frequency like 440hz also doesn't correspond to some deep universal concord/discord, at least not just because its measurement in Hertz is divisible by 2 or 3.
There may well be other reasons why 440hz was especially evil and got chosen, it certainly does change the music a lot if you choose a different base tuning. I do not like how 440hz tuning sounds, if you change this frequency your music will sound more unique and "personal" in a strange way.
It we take two frequencies (say 440hz and 880hz) then the ratio of the two frequencies might involve the numbers 2 or 3, which could indeed be very important in music, and correspond to universal truths, natural law, etc. In fact this is a certainty if your instrument is tuned properly, more on that later. Ratios like this lead to the concept of a musical Scale, or a collection of frequencies in some relation to one another, that we're going to use to compose our music. We can imagine how from Pythagoras on, humans have used Pure Intervals like 3:2, 1:2, 4:5, etc. to make music, both instruments and for vocal singing. It was actually used tens of thousands of years before Pythagoras, but that is not too imporant. What we need to know is that Pure Intervals (determined by pure, simple math ratios) were hot, everything else was thought by people to be "contaminated" and discordant. The tuning that contains pure intervals is called Just Intonation; you will likely never hear it in your life in the West unless you're into some specialized vocal musics like "Barbershop Quartets", microtonal composers and so on.
The 12 Tone Equal Temperament (your basic Western piano tuning) is specifically designed to contain NOT A SINGLE pure interval of this kind. It is mind boggling, really. There is no pure 2:3, 4:5, or 1:3 kinds of ratios in this type of tuning, it is always just a littttttle bit detuned, a little bit off. On purpose, to divide the musical octave into exactly equal chunks and enable some of the key-changing tricks used in the tonal music of Bach and Mozart.
You understood correctly, if you understood I'm saying that you literally cannot play anything pure on a Western piano keyboard, except the largest interval called the Octave (1:2 ratio). All our piano intervals are "out of tune"! All serious composers and indeed popular music producers know about this, it's not a secret to them. Most just "accept that's how it is", and get on with their lives.
Using a synthethizer, you can get any tunings you want, including all those pure intervals. I have tried it, and at first it sounds very strange and eerie, but after a while you really fall in love with the pure interval sound, or even distorted intervals like those sometimes heard in Metal where the distortions force sounds to deviate from 440hz and 12-TET intervals.
Anything but the 12 Tone Equal Temperament, which sounds like... I struggled to find the adjective to describe what it sounds like, but then it came to me - it sounds like Television.
If some of this intrigues you as much as it did me, then I would invite you to follow the thread where it leads you, because this is all just the very beginning and the true possibilities in creating completely new types of music by breaking these "standards" and "rules" remain to this day almost entirely unexplored:
Thanks for the info, really interesting! Just watching the video now.
wow, that video was great!
nice. ya, only into house and techno and electronic myself since forever. its a more diy industry.
Very interesting article, well written and with sources. Keep up the good work!
Good read! This may just make me question everything I know about music theory