As indicated by Mansur, Sultan's lines and utilization of shading contain 'society' coarseness and an evident amateurishness. Intermittent topic in the way of society workmanship, his creations and treatment of materials give his compositions a vicinity to self-trained capability which clashes with the teach and language of craftsmanship instruction. He likewise alludes to Sultan's fragmented craftsmanship instruction at the Calcutta Workmanship School (2007: 38). Mansur comments on the lines in Sultan's works of art as being nearer to something like urban 'credulous' craftsmanship as found in Rickshaw artistic creations (Akand 2007: 345).
But Sultan was a learned, all around voyaged man and it is hard to trust that the formal character of his work was definitely not directed by his own particular decision, not because of an insufficiency in craftsmanship preparing. This might be another way that Sultan denied bringing in 'present day innovation' into his specialty, by utilizing a nearby prominent colloquialism.
It is huge that Sultan started to paint in the seventies, after Bangladesh was conceived. After his arrival to his town in Narail in 1953, he showed up as a craftsman in the more elite classes of society of Dhaka in 1975 and in 1976 the Bangladesh Shilpakala Institute sorted out a performance display of his work. He discredited innovation and 'widespread' qualities in his work as in his life.
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Oh yea, I have upvoted you and followed you. Many blessings from @introbot & @bycoleman
Love your art and I draw too. Thanks for sharing, hehe. You are awesome. I'm Oatmeal Joey Arnold. You can call me Joey.
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Hello! I followed you, let's increase the power of Steemit together! I hope you follow me. I'm always glad to have a new acquaintance with good people! ;)