It was a drawing that I had already started. The woman was in front of the well and I had used some photo and AI images as layers. It didn't work so I've abandoned it. But then I wanted to see if I could save it and started doing chaotic lines making them work as cross hatching just not in any ordered way. Then I drew the the front of the well so it covered the body of the woman and suddenly it was interesting with her standing down there with the tree.
The working title them became "Odin of the southern cross" - a south american Odin lacking an eye, tied to the tree and standing in the well of Mimir. That is where the unreadble plaque is from. It was meant to have the Valknut on it, but then I reconsidered and decided to let it be that original nymph or dryad I had envisioned and let all those other ideas just be there as traces, as the thing mostly reminded me of exactly such a tree spirit as the hamadryad, with an accusing stare.
An accusing stare. That's why the creature is so unnerving.
So much goes into drawing! You put all this fascinating thought into your works, too. Then I go looking up stuff to better understand. Nice pre-coffee fare, your posts. This morning I found these:
I gotta go make some coffee. Thanks for the trip into Norse mythology. Everything I do know about it, has come to me through you.